BananaWorld
Addicted to Music
Het is jammer van dat hij alles met stift erop heeft geschreven, maar verder ziet het er wel netjes uit.
Check deze modded 808 !!!
- Thread starter RSB
- Start date
manvsmachine
Electribe junk
Die stift maakt het nou juist lelijk. Geef de behuizing dan een mooi kleurtje en besteed er iets meer aandacht aan
R-ond
Gepokt en gemazeld
- Lid sinds
- 11 januari 2003
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- 14.508
Re: Check deze modded 808 !!!
aaaaah wie leest die weet = kennis ofso van r9obin whitle
de 303 pionier mbt modden ,..die csq cased 606 = nog welleuk ,...maar zo,n alu kistje
met flashy knobs lijkt wel een doormeet app. = lelijk
In the end, this is what I have ended up with on the machine, encased by myself in a shitty old black Roland CSQ-600 CV/Gate sequencer box:
List of Modifications to TR606:
Bass Drum: Pitch Tune and Decay Time for each of the two oscillators making the bass drum sound.
Snare Drum: Pitch, Noise Filter, Noise Decay Time, and Noise Level (also affects the level of noise burst triggered with toms).
Low Tom and High Tom: The Toms in the 606 share a lot of circuitry between them. I wanted more individual control, so Robin grafted on a secondary circuit copying much of the original and duplicating it, to give each Tom it's own set of controls. These controls are a mixed bag. Each can affect the relative affect of the other controls. They take some getting used to, but provide a wide range of tones in the end, from low, self oscillating rumbles to quirky, chirpy rim shots. The High Tom is simply pitched up a little compared with the lower Tom.
Each Tom: Pitch Sweep Amount, Sweep Time, General Decay Time, and "Monster Pot", which simultaneously changes pitch (from very high to sub sonic self oscillation) and decay time - very much like loosening or tightening a drum's skin. There are also switches for selecting between low or high pitch range, and turning noise burst on or off for each Tom. The tone of the Tom can also be turned down, leaving just the noise bursts, which are cool sounds.
We also added independent volume controls for each tom.
Cymbal: Decay Time.
Hi Hats: Decay Time for Open Hi Hat.
Plus something like a Band Pass Filter for global control of all Cymbal tones.
There's also an external input option, which feeds in to replace the normal chiming sound source of the cymbals.
This is good for sounds such as chords from a keyboard, which can be run through the band pass type affect of the cymbal circuit, and chopped to the pattern of cymbals and hi hats programmed on the TR sequencer. Nice for glitchy crunckly sounds.
I made use of the interfacing jacks already mounted in the back of the old CSQ to function as the individual sound outputs, trigger, and sync sockets.
Also, Robin modified the power supply from the CSQ sequencer to power the 606 in place of a "wallwart" adaptor.
OK, I guess I should get some samples of the machine in action up here on the page next!
DIE VAN DE TOMS DAT ROBIN er xtra circuitje by heeft gemaakt om allebei de toms apart te tunen/modden,...erg ok nog niet eerder gezien ,..!
omdat ze samen onderdelen sharen ,...
iig ik kan iedereen een cr8000 aanraden asje zou willen modden veel ruimte en ok sounds
en ook een oerleijke kast [ergens ook weer mooi ]
en eignlijk asje ietsje verder zoekt
http://wellwornworkshops.com/index2.htm?http://wellwornworkshops.com/ev606.htm
heeft een weer kennis van hem een klein modulairtje voor de helft van de comm.price gebouwd
met een verbluffend result ,... magk wel zeggen ,..;beetje de paia 9700 model
List of Modules in the "Sir G Modular" :
~ 2 VCOs - with Saw, Tri, Sin, Square
~ 2 Mixers
~ 1 Diode ladder multimode filter
~ 1 Moog style lowpass filter
~ 1 VCA
~ 2 Envelopes
~ 1 LFO Tri / Square
~ 2 CV/Audio Splitters, 3 way
aaaaah wie leest die weet = kennis ofso van r9obin whitle
de 303 pionier mbt modden ,..die csq cased 606 = nog welleuk ,...maar zo,n alu kistje
met flashy knobs lijkt wel een doormeet app. = lelijk
In the end, this is what I have ended up with on the machine, encased by myself in a shitty old black Roland CSQ-600 CV/Gate sequencer box:
List of Modifications to TR606:
Bass Drum: Pitch Tune and Decay Time for each of the two oscillators making the bass drum sound.
Snare Drum: Pitch, Noise Filter, Noise Decay Time, and Noise Level (also affects the level of noise burst triggered with toms).
Low Tom and High Tom: The Toms in the 606 share a lot of circuitry between them. I wanted more individual control, so Robin grafted on a secondary circuit copying much of the original and duplicating it, to give each Tom it's own set of controls. These controls are a mixed bag. Each can affect the relative affect of the other controls. They take some getting used to, but provide a wide range of tones in the end, from low, self oscillating rumbles to quirky, chirpy rim shots. The High Tom is simply pitched up a little compared with the lower Tom.
Each Tom: Pitch Sweep Amount, Sweep Time, General Decay Time, and "Monster Pot", which simultaneously changes pitch (from very high to sub sonic self oscillation) and decay time - very much like loosening or tightening a drum's skin. There are also switches for selecting between low or high pitch range, and turning noise burst on or off for each Tom. The tone of the Tom can also be turned down, leaving just the noise bursts, which are cool sounds.
We also added independent volume controls for each tom.
Cymbal: Decay Time.
Hi Hats: Decay Time for Open Hi Hat.
Plus something like a Band Pass Filter for global control of all Cymbal tones.
There's also an external input option, which feeds in to replace the normal chiming sound source of the cymbals.
This is good for sounds such as chords from a keyboard, which can be run through the band pass type affect of the cymbal circuit, and chopped to the pattern of cymbals and hi hats programmed on the TR sequencer. Nice for glitchy crunckly sounds.
I made use of the interfacing jacks already mounted in the back of the old CSQ to function as the individual sound outputs, trigger, and sync sockets.
Also, Robin modified the power supply from the CSQ sequencer to power the 606 in place of a "wallwart" adaptor.
OK, I guess I should get some samples of the machine in action up here on the page next!
DIE VAN DE TOMS DAT ROBIN er xtra circuitje by heeft gemaakt om allebei de toms apart te tunen/modden,...erg ok nog niet eerder gezien ,..!
omdat ze samen onderdelen sharen ,...
iig ik kan iedereen een cr8000 aanraden asje zou willen modden veel ruimte en ok sounds
en ook een oerleijke kast [ergens ook weer mooi ]
en eignlijk asje ietsje verder zoekt
http://wellwornworkshops.com/index2.htm?http://wellwornworkshops.com/ev606.htm
heeft een weer kennis van hem een klein modulairtje voor de helft van de comm.price gebouwd
met een verbluffend result ,... magk wel zeggen ,..;beetje de paia 9700 model
List of Modules in the "Sir G Modular" :
~ 2 VCOs - with Saw, Tri, Sin, Square
~ 2 Mixers
~ 1 Diode ladder multimode filter
~ 1 Moog style lowpass filter
~ 1 VCA
~ 2 Envelopes
~ 1 LFO Tri / Square
~ 2 CV/Audio Splitters, 3 way
