oh das wel erg cool !!!
ik ga meteen kijken wanneer ie leverbaar is !
(of zijn er al upgrades bekend ?)
txs
edit ....
ik heb nog effe nagekeken
alle plugs zitten erbij .. bahalve ...
ja je raad het al .. de space designer
LOGIC PRO
Technical Data
System Requirements
Mac OS 9.1 or higher
Mac OS X 10.2 or higher
G3/400Mhz or faster
128 MB RAM or more (256 MB recommended)
CD ROM or DVD drive
free USB port for XSKey
MIDI Interface and MIDI keyboard
Low latency audio hardware recommended
Separate Harddisc recommended
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Key Features – Sequencer
General | MIDI | Automation | Plug-ins/Audio-Instruments | Audio | Supported Audio Hardware
General
Ultra-precise 32 Bit internal processing
Event resolution 1/3,840 note
Tempo resolution accurate to 1/10,000 bpm in the range from 0.05 to 9,999 bpm
Freely configurable user interface
90 freely configurable Screensets per song
Over 800 freely definable Key and MIDI commands for all important program functions
Interactive windows with Catch/Link/Content Link
Individually zoomable/resizable tracks
Optimized user interface offering fast navigation
New online help system
Localized menus, multilingual interface
Synchronized Quicktime video support
Adaptive, self-configuring Track Mixer for MIDI & audio
Comprehensive for hardware controllers: Tascam's FW1884, US-428, US-224, Mackie HUI and the HUI emulation of Yamaha's DM2000/1000 and 02R96, Motormix from C.M., Roland SI-24 and Radical SAC-2k and SAC-2.2 support
MIDI
Virtually unlimited number of MIDI tracks
Realtime MIDI quantize, Groove Templates
Matrix, Event, Hyper and Transform Editors
Time signature and key change Editor
Score Editor: realtime notation, coloured notes, steptime input window, professional layout/printout
HyperDraw™ for all event types in Arrange, Matrix and Score Editor
Sophisticated MIDI processing Environment
Touch Tracks: live playing of folders/sequencies
AMT for precise MIDI timing with AMT8/Unitor8
Up to 128 MIDI ports supported
OMS/MTP compatible
Full synchronization options with MTC, MMC, SMPTE
AutoLink with SoundDiver (Mac OS 9)
Automation
All-new, track-based, sample-accurate automation engine for virtually every parameter including effect plug-ins and Audio Instruments
Independent of sequencer record status
Read, write, latch and touch modes
32 Bit automation data resolution
Automated parameters are displayed with full name and value
Color-coded automation data is displayed directly in Arrange window as envelope with break points
Break points can be freely drawn, edited and scaled
Automation curves freely adjustable between convex, concave, s-form or linear shapes
Automation data can be moved or copied with corresponding audio data, or independently
Plug-Ins and Audio-Instruments
Up to 64 Audio Instruments for insertion of Emagic, Audio Unit (Mac OS X) and VST2 (Mac OS 9) virtual instruments
15 inserts for plug-ins and 8 sends per Audio Instrument
3 new Emagic instruments included – ES M monophonic, ES P polyphonic and ES E for ensemble sounds
ES1, ES2, EXS24 mk II, EVP88, EVB3, EDV6
Audio Unit (Mac OS X) and VST/VST2 (Mac OS 9) realtime plug-in support
Over 50 effect plug-ins included: various delays, reverbs, distortions, dynamics, modulation effects, BitCrusher, Auto Filter, Enveloper, Spectral Gate, etc. Of these, Phase/Clip Distortion, Denoiser, DeEsser, Tremolo, Stereo Spread, Exciter, SubBass, Limiter, Adaptive Limiter, Multiband Compressor are new.
EVOC20 vocoder/filterbank package
Sidechains for plug-ins and Audio Instruments
ReWire support for ReBirth and Reason
Adobe Premiere & AudioSuite plug-in support (Mac OS 9)
Audio
Audio resolution up to 24 Bit/96 kHz
Up to 128 stereo audio tracks (single hardware)
Up to 255 stereo audio tracks (multi hardware)
High-end POW-r dithering Algorithm
Hardware independent audio scrubbing
8 channel surround mixing in any of 12 formats
comprehensive Channel EQ with 8 bands per track
15 FX inserts per track, 8 effect sends per track
Audio input objects with 15 FX inserts and 8 sends
64 stereo busses for subgroups and FX returns
16 inserts per bus, 16 inserts per output object
Bouncing with realtime effects
Integrated stereo sample editor with Time and Pitch Machine II™ with formant correction, Audio to Score, Quantize Audio/Groove Machine and more
Cycle-Recording for Audio, quick Punch on the fly
Fit MIDI tempo to audio, Strip Silence function
REX2 file support in Arrange and EXS24
OMF (Avid/ProTools) and Open TL import/export
Supported Audio Hardware (tracks)
Emagic Audio Engine (up to 128 stereo tracks per driver class): Core Audio (Mac OS X), Mac AV, EASI, ASIO, Direct I/O, Audiowerk2/8 (Mac OS 9)
Roland VS (Arrange editing) (8/16)
Korg 1212 I/O (96)
Sonorus StudI/O (96)
Digidesign DAE (
Digidesign TDM (ProTools III/24/24MIX, 24MIX+, MIX3) inc. TDM plug-ins and Surround (16-64)
Cascade 3 x Audiowerk8 for output expansion
Virtually unlimited multiple hardware support (Mac OS 9)
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Key Features – Logic Pro Instruments
32 Bit sound engine for high-end sound quality
Sample accurate playback timing
Perfectly integrated into Logic’s digital mixer including full automation and access to all Logic effects
Intuitive, ergonomic user interface
Logic Control support
EXS24 mk II:
General
Up to 64 EXS24 mk II with up to 64 voice polyphony each*
Integrated Logic stereo sample editor with loop editing
Intelligent automapping of samples
Flexible library management using hierarchical menus
Compatibility
Reads AIFF, WAV and SDII with 8 to 24 Bit, 11 to 192 kHz
Imports REX2, AKAI S1000/S3000, GigaSampler, SampleCell II and SoundFont 2 sample formats
Provides an interface for the Vienna Symphonic Library Performance Tool
Sound Processing per Voice
Multimode filter (highpass, lowpass, bandpass) with adjustable slope, Fatness circuit for full bass response
Simultaneous control of filter cutoff and resonance
Filter may be switched off to increase polyphony
Extensive modulation section with modulation source, destination and additional source to modulate amount
2 ADSR envelopes with key tracking and variable attack phases with linear or logarithmic curves
1 polyphonic LFO with decay/delay envelope, 2 monophonic LFOs run freely or in tempo-synced note values
Analog feel, tuning and glide with pitch envelope
Poly, mono or legato mode
ES2:
General
Optimized for Macintosh Velocity engine
Up to 64 ES2 units each with up to 32 note polyphony
Poly, mono and unison modes with Glide and Legato for automatic portamento
Intelligent random sound programming with adjustable intensity and destination
Effects
Adjustable, powerful distortion effect with soft and hard characteristics
High-quality modulation effects such as chorus, phaser or flanger
Oscillators per Voice
3 Oscillators with classic analogue and 100 digital waveforms, plus noise
Frequency Modulation, Oscillator Synchronization, Pulse Width Modulation and Ring Modulation
Dynamic Wavetable Scanning of the digital waves via freely selectable modulation sources
Dynamic Vector control of oscillator mix and two additional, freely selectable parameters
Filters per Voice
1 multimode filter (N/BP/HP/LP/Peak) with overdrive
1 lowpass filter (12,18,24 dB) with filter FM and unique Fatness circuit
Filters can be connected in serial or parallel modes
Modulations per Voice
2 ADSR envelopes with sustain time parameter, velocity can control level and attack
1 monophonic or polyphonic AD/AR envelope, velocity can control attack
2 LFOs with 7 waveforms
LFO1 is polyphonic with key-sync, and offers its own decay/delay envelope
LFO2 is monophonic, and can be synced to song tempo
10 freely definable modulation paths (20 sources and 30 destinations) with modulatable intensities
1 Vector envelope with 15 points, loop mode and adjustable tempo sync controls oscillator mix and two additional, freely selectable parameters
ES1:
General
Up to 64 ES1 units each with up to 16 note polyphony*
Portamento with poly, mono or legato mode
Integrated emulation of “classic” Chorus/Ensemble effects
Variable simulation of analog circuitry
Per Voice
Main Oscillator with 3 waveforms – saw, triangle, variable pulse wave with pulse width modulation
Oscillator range from 2 to 32 feet
Sub Oscillator with 5 waveform plus noise and external audio input via the side chain
One monophonic LFO (can run freely or in adjustable bar/ beat values with sync to tempo)
6 LFO wave forms including stepped sine, sample& hold, smoothed sample&hold, triangle, up/down sawtooth as well as an input for an external audio modulation signal, LFO amount is controllable by the Modulation Wheel
Ultra-fast ADSR envelope and Modulation envelope
Modulations amount of both envelopes can be controlled via key velocity
LFO and modulation envelope control via the modulation matrix: pitch, oscillator mix, puls width, filter cutoff, resonance, volume, filter FM and LFO amount
Lowpass filter with resonance and adjustable overdrive, 3 filter slopes (12, 18, 24 dB) and fat filter mode
The filter cutoff can be modulated by the main oscillator with frequencies in the audio range (filter FM)
An external audio signal can be routed through the ES1 filter/ synthesizer engine
ADSR envelope (for filter and amplifier) gate with release, gate with attack and release (amplifier)
EVP88:
General
12 authentic realtime replications and variations of legendary vintage electric pianos
Original dynamics faithfully reproduced
Fully polyphonic over 88 keys, up to 88 voices (computer dependent)
Stylish retro-look, with ergonomic controls for detailed sound adjustment
Up to 64 EVP88 units simultaneously*
Models
The tone generation is based on a detailed physical simulation. It includes the movements of the various electric piano reeds, tines and tone bars in the electro-magnetic fields of the pikkups. It also synthesizes the transients of the attack phase, as well as the hammer action and damper noises.
Fender Rhodes models: Suitcase Mark I, Stage Piano Mark I/Mark II, Bright Stage Mark II, Hard Stage Mark II, Mark IV, Metal Piano (variation), Attack Piano (variation)
Wurlitzer models: Wurlitzer 200 A, Soft Wurlitzer, Funk Wurlitzer (variation) Hohner model: Electra Piano
Modifying Tonal Characteristics
All parameter changes can be stored as programs
Parameters for detailed sound editing: model, voices, tune, decay, release, bell, damper, intensity, stretched tuning lower/upper, warmth
Full MIDI control of all sound editing parameters
Effects Section (Parameters)
Extensive and authentic vintage effects with Equalizer (Treble, Bass), Overdrive (Gain, Tone), Phaser (Rate, Color, Stereophase), Tremolo (Rate, Intensity, Stereophase) and Chorus (Intensity)
EVB3:
General
Authentic, realtime emulation of the Hammond B3 Tonewheel Organ including a realistic emulation of the Leslie Rotor Cabinet
Full polyphony, up to 195 Voices per EVB3*
Up to 64 EVB3 simultaneously*
Stylish, intuitive user interface
Adjustable to single or multiple keyboard setups
Parameter changes can be stored as Settings
Tone Generation
Realtime Hybrid Component Modeling
Detailed simulation of all electromechanical components of the original B3 tone generation, including key click noises and crosstalk
Detailed parameter set to modify the characteristical properties of the B3 sound
Drawbar control system provides over 250 million combinations, 12 adjustable drawbar presets per manual with preset morphing for upper manual
Sound parameters
Upper and Lower Manual feature two sets of 9 drawbars with 9 settings each
Bass Pedal features 2 drawbars with 9 settings each
Parameter to control: Click, Click Color, Crosstalk, Random FM, Drawbar Leakage, Filter Age, Stretch Tuning, Transpose and many more
Effects
Rotor Cabinet emulation based on classic cabinet models with Chorale, Brake and Tremolo modes, selectable cabinet, adjustable microphone position and motor control
Scanner Vibrato (6 Types) with Chorus
3 band EQ and Reverb
Wah Wah effect with 6 classic filter types
Tube Distortion with 3 distortion types
Rotor Cabinet, Vibrato and Tube Distortion are available as separate plug-ins
EVD6:
General
Authentic, real-time emulation of the Hohner Clavinet D6
Various selectable instrument models
Up to 24 note polyphony per EVD6 unit*
Up to 64 EVD6 units*
All parameter modifications can be stored as Settings
Tone Generation
Realtime Algorithmic Component Modeling
Detailed simulation of the original electromechanical
D6 tone generation including string properties and pickup simulation
Detailed control over of the sound characteristics when striking and releasing the Clavinet keys
High-resolution controls provide precise control over string Decay, Release, Damping, Tension Modulation, Stiffness, Inharmonicity, Pitch Fall
Graphical editing of the pickup positions
4 pickup configurations
Stereo Spread control for Pickups und key position
Rocker switches for Filter section with Brilliant, Treble, Medium and Soft settings Damper control
Effects
3 integrated effects with selectable serial effect configurations
Integrated Phaser/Chorus/Flanger with adjustable Rate and Intensity controls
Integrated Wah Wah with adjustable Range and Envelope (AutoWah)
6 classic vintage Wah Wah filter models
Wah Wah filter cutoff controllable via MIDI controller
Integrated Distortion with adjustable Compression, Tone and Gain controls
Separate Logic effect plug-in including Wah Wah and Distortion with additional parameters
waar is de tijd dat er nog logic voor pc was, snif snif 
o.k dan ! 
