Emu Emax II Keyboard
Emax II [Stereo]
2212 2MB Keyboard
150 Euro
Emax II Turbo [Stereo]
2206 8MB Rack
Prijs 175 Euro
Emu Emax I SE Keyboard
Prijs 225 Euro
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5 Octave velocity sensitive keyboard C to C or 3 space rack
14 Velocity curves
Velocity can control VCA level, VCA attack, VCF cutoff, VCF attack, and VCF Q.
3.5 inch floppy disk drive (uses double sided, double density (DSDD) floppy disks)
Internal and external SCSI connection (internal HD power supply)
32 Character Backlit LCD
RS-422 connection
MIDI In connection
MIDI Out/Thru connection
Programmable Arpeggiator
16 track "scratchpad" sequencer
Clock In (Clock In can accept 24, 48, or 96 ppq, the pulses should be at least 1ms wide and 1 to 5 volts.
Clock Out (Clock Out sends a 24 ppq which is 5 volts and about 6ms wide)
2 Programmable wheels for real-time control over pitch, filter cutoff, AHDSR attack rate, level, LFO modulation index, etc.
2 Footswitches
1 Footpedal Audio Out and In *Headphone
Mono Mix
Main Out (L and R stereo)
Sub A (L and R stereo / Tip-output and Ring-effect return)
Sub B (L and R stereo / Tip-output and Ring-effect return)
Sub C (L and R stereo / Tip-output and Ring-effect return)
Sample In (stereo / Tip-Left and Ring -Right)
Digital amplifier (VCA) with AHDSR envelope generators
LFO with adjustable rate, delay, and speed variation The Emax II CAN chorus its voices without loss of polyphony. Digital Processing *Truncation
Looping (Crossfade and Equal Power)
Digital combine
Sample reversal, as well as rate and pitch conversion
Transform Multiplication tm
Splicing
Advanced Split and Layer
Individual tuning and attenuation for each sampleSynthesis
Transform Multiplication:
Transform Multiplication is a digital effect which merges together 2 sounds in such a way that frequencies common to both sounds are accentuated while uncommon frequencies are discarded. It works best on harmonically rich sounds.
Spectrum Synthesis:
Emax II's Spectrum Synthesis allows you to specify up to 24 complex waveforms, (called Spectrums) and to either step or fade through them during the course of a sound. The 24 waveform locations are called Time Slices, since they represent the waveform at that slice of the sound. This method allows more complex and interesting sounds to be created. In addition, each partial (sine wave) can have a 24 point envelope that determines the pitch of that partial over the course of the sound.
Each Emax II voice can consist of two synthesized timbres, a synthesized timbre and a sampled sound, or two sampled sounds. The resulting voice can then be processed using the Dynamic Processing features and placed anywhere in the stereo field.
Emax II [Stereo]
2212 2MB Keyboard
150 Euro
Emax II Turbo [Stereo]
2206 8MB Rack
Prijs 175 Euro
Emu Emax I SE Keyboard
Prijs 225 Euro
------------------------------------------ -------------------------------------------------------- ----------
5 Octave velocity sensitive keyboard C to C or 3 space rack
14 Velocity curves
Velocity can control VCA level, VCA attack, VCF cutoff, VCF attack, and VCF Q.
3.5 inch floppy disk drive (uses double sided, double density (DSDD) floppy disks)
Internal and external SCSI connection (internal HD power supply)
32 Character Backlit LCD
RS-422 connection
MIDI In connection
MIDI Out/Thru connection
Programmable Arpeggiator
16 track "scratchpad" sequencer
Clock In (Clock In can accept 24, 48, or 96 ppq, the pulses should be at least 1ms wide and 1 to 5 volts.
Clock Out (Clock Out sends a 24 ppq which is 5 volts and about 6ms wide)
2 Programmable wheels for real-time control over pitch, filter cutoff, AHDSR attack rate, level, LFO modulation index, etc.
2 Footswitches
1 Footpedal Audio Out and In *Headphone
Mono Mix
Main Out (L and R stereo)
Sub A (L and R stereo / Tip-output and Ring-effect return)
Sub B (L and R stereo / Tip-output and Ring-effect return)
Sub C (L and R stereo / Tip-output and Ring-effect return)
Sample In (stereo / Tip-Left and Ring -Right)
Digital amplifier (VCA) with AHDSR envelope generators
LFO with adjustable rate, delay, and speed variation The Emax II CAN chorus its voices without loss of polyphony. Digital Processing *Truncation
Looping (Crossfade and Equal Power)
Digital combine
Sample reversal, as well as rate and pitch conversion
Transform Multiplication tm
Splicing
Advanced Split and Layer
Individual tuning and attenuation for each sampleSynthesis
Transform Multiplication:
Transform Multiplication is a digital effect which merges together 2 sounds in such a way that frequencies common to both sounds are accentuated while uncommon frequencies are discarded. It works best on harmonically rich sounds.
Spectrum Synthesis:
Emax II's Spectrum Synthesis allows you to specify up to 24 complex waveforms, (called Spectrums) and to either step or fade through them during the course of a sound. The 24 waveform locations are called Time Slices, since they represent the waveform at that slice of the sound. This method allows more complex and interesting sounds to be created. In addition, each partial (sine wave) can have a 24 point envelope that determines the pitch of that partial over the course of the sound.
Each Emax II voice can consist of two synthesized timbres, a synthesized timbre and a sampled sound, or two sampled sounds. The resulting voice can then be processed using the Dynamic Processing features and placed anywhere in the stereo field.
op.
